(2007) Staged reading: Yale Whitney Humanities Center, with Kathleen Chalfant, directed by Evan Yionoulis, 2011. Readings: Theatre Row, New York, with Kathleen Chalfant, directed by Ian Morgan, 2009; New York Theatre Workshop with Janet Zarish, 2007.
[Excerpt]
MADAME TALIB
The dresses are drab and poorly designed.
SAYID
You must forgive my wife’s tongue.
MADAME TALIB
I prefer the low necklines of the French and the boldness with which their women wear them.
GERTRUDE
I find her opinions fascinating.
MADAME TALIB
And, unfortunately, the British women are very homely.
SAYID
She also speaks this way to her mother-in-law, which is why they do not speak at all.
MADAME TALIB
I do not speak to your mother because she talks to me like a servant. Even your own daughters despise her.
SAYID
They despise her because you have turned them against her.
MADAME TALIB
You can not turn children against their grandmother, unless she is a beast.
(To GERTRUDE)
One’s children are excellent judges of character. Don’t you agree?
GERTRUDE
I wouldn’t know.
MADAME TALIB
Your children can not recognize a monster?
GERTRUDE
I have no children.
MADAME TALIB
(As if someone has died)
I am sorry.
(A pause)
Why not?
GERTRUDE
In the West, as in the East, it’s customary to first find a husband.
MADAME TALIB
You have no husband either? How sad.
GERTRUDE
It could be sadder. I could be married to a murderer.