[wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span7″][wr_text el_title=”Political Theater from the Levant” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
Modern and Contemporary Political Theater from the Levant, November 2018
Published by Brill, is a collection of plays and companion essays about the plays and playwrights. The volume, written and edited by Robert Myers and Nada Saab, Associate Professor of Arabic Studies at Lebanese American University, includes their translations of three of the collection’s five plays, which are by ‘Isam Mahfouz, Muhammad al-Maghut, Sa’dallah Wannous, Jawad al-Asadi and Ra’ida Taha.[/wr_text][/wr_column][wr_column span=”span5″][wr_image el_title=”Modern and Contemporary Political Theater” image_file=”http://robert-myers.com/wp-content/uploads/2018/12/Modern-and-Contemporary-Political-Theater-.png” image_size=”medium” image_alt=”Modern and Contemporary Political Theater” link_type=”no_link” image_container_style=”no-styling” image_alignment=”center” appearing_animation=”0″ disabled_el=”no” ][/wr_image][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span5″][wr_image el_title=”Sentence to Hope” image_file=”http://robert-myers.com/wp-content/uploads/2018/12/Sentence-to-Hope.png” image_size=”medium” image_alt=”Sentence to Hope” link_type=”no_link” image_container_style=”no-styling” image_alignment=”center” appearing_animation=”0″ disabled_el=”no” ][/wr_image][/wr_column][wr_column span=”span7″][wr_text el_title=”A Sentence to Hope” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
Sentence to Hope: A Sa’dallah Wannous Reader, to be published in March 2019
Translated and edited by Robert Myers and Nada Saab, will be published by Yale University Press’s Margellos World Republic of Letters. It includes Rituals of Signs and Transformations, The Adventure of the Head of Mamlouk Jabir, Wretched Dreams and An Evening’s Entertainment for the Fifth of June.[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span7″][wr_text el_title=”Blood Wedding” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
Blood Wedding, April 2018
Produced by Robert Myers and directed and translated by Sahar Assaf, in the Lebanese village of Hammana. The production was the opening event of the international conference on “Latin America, al-Andalus and the Arab World” at the American University of Beirut, organized by Robert Myers and sponsored by the Center for American Studies and Research (CASAR).[/wr_text][/wr_column][wr_column span=”span5″][wr_image el_title=”Blood Wedding” image_file=”http://robert-myers.com/wp-content/uploads/2018/12/Blood-Wedding.png” image_size=”medium” image_alt=”Blood Wedding” link_type=”no_link” image_container_style=”no-styling” image_alignment=”center” appearing_animation=”0″ disabled_el=”no” ][/wr_image][wr_text div_margin_top=”0″ div_margin_bottom=”25″ disabled_el=”no” css_suffix=”” id_wrapper=”” el_title=”” copy_style_from=”0″ text_margin=”” text_margin_top=”0″ text_margin_right=”” text_margin_bottom=”0″ text_margin_left=”” enable_dropcap=”no” dropcap_font_face_type=”standard fonts” dropcap_font_face_value=”Verdana” dropcap_font_size=”64″ dropcap_font_style=”bold” dropcap_font_color=”#000000″ appearing_animation=”0″ appearing_animation_speed=”Medium” div_margin=”” div_margin_left=”0″ div_margin_right=”0″ ]Lorem purus odio auctor libero nunc auctor lacinia nullam amet porttitor laoreet eu libero a imperdiet eros mauris dolor eu nec congue imperdiet blandit lacinia a venenatis accumsan consectetur quis libero a porttitor congue adipiscing hendrerit volutpat proin velit blandit massa non sed proin sed orci elit laoreet lorem hendrerit[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span5″][wr_image el_title=”From Cairo to Camaguey” image_file=”http://robert-myers.com/wp-content/uploads/2018/12/From-Cairo-to-Camaguey.png” image_size=”medium” image_alt=”From Cairo to Camaguey” link_type=”no_link” image_container_style=”no-styling” image_alignment=”center” image_margin_top=”35″ appearing_animation=”0″ disabled_el=”no” ][/wr_image][/wr_column][wr_column span=”span7″][wr_text el_title=”From Cairo to Camagüey” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
“From Cairo to Camaguey: Ibn Daniyal’s The Shadow Spirit, Sarduy’s Cobra, and Rojas’s Celestina as a Bawd Between the Arab World and Latin America,” forthcoming in 2019
Article by Robert Myers in Comparative Literature Studies, published by Penn State University. The article will be included in the forthcoming collection of essays edited by Robert Myers entitled Latin America, al-Andalus and the Arab World.[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span8″][wr_text el_title=”King Lear” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
World Premiere of King Lear in Arabic, December 2016
al-Malik Lear [King Lear]. Producer of World Premiere of Shakespeare’s play in Levantine vernacular Arabic. Produced with AUB’s 150th Anniversary Committee in conjunction with the Faction Theatre, London. With Roger Assaf as King Lear. Directed by Sahar Assaf and Rachel Valentine-Smith. Masrah al-Madina, Beirut, 2016.[/wr_text][/wr_column][wr_column span=”span4″][wr_image el_title=”King Lear” image_file=”http://robert-myers.com/wp-content/uploads/2014/12/KING-LEAR-Poster-Arabic-image.jpg” image_size=”medium” image_alt=”Roger Assaf as Lear. Rifaat Torbey as Gloucester. Photo: Alexy Frangieh” link_type=”no_link” image_container_style=”no-styling” image_alignment=”inherit” image_margin_top=”0″ appearing_animation=”0″ id_wrapper=”king-lear-image” disabled_el=”no” ][/wr_image][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span5″][wr_text][video_lightbox_youtube video_id=”B_6cQzw828A” width=”640″ height=”480″ anchor=”http://robert-myers.com/wp-content/uploads/2017/07/unmanned-youtubethumbnail.png”][/wr_text][/wr_column][wr_column span=”span7″][wr_text el_title=”Unmanned Text” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
Umanned | March 11-27, 2016
Unmanned, a play about two drone pilots – an aging former fighter pilot from Alabama who is afraid to fly and a young video game whiz from Cleveland who has never been in a plane – premiered on March 11, 2016 in Taos and on March 18, 2016 in Santa Fe at Teatro Paraguas. The play featured performances by actors Jacquelyn Cordova and Bruce McIntosh, both of Metta Theatre in Taos, as well as live music by the celebrated Chicago-based musician Michael Miles.[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span4″][wr_text][video_lightbox_youtube video_id=”1ixdfg639fQ” width=”640″ height=”480″ anchor=”http://robert-myers.com/wp-content/uploads/2017/07/therape-youtubethumbnail.jpg”][/wr_text][wr_text el_title=”The Rape image credits” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ css_suffix=”image-credits” disabled_el=”no” ]Marcel Bou Shakra, Bshara Attala, May Ogden Smith[/wr_text][/wr_column][wr_column span=”span8″][wr_text el_title=”The Rape” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
World Premiere of The Rape | March 18-28, 2015
The English-language version of The Rape, by Syrian playwright Sa’dallah Wannous, translated by Robert Myers and Nada Saab, directed by Sahar Assaf, and produced by Robert Myers, AUB and LAU, premiered at LAU’s Irwin Theatre on March 18, 2015. Written in 1989 and set in the West Bank during the first Intifada, the play treats themes such as the use of sabotage against civilians, colonial rule and the use of rape as tool of interrogation. It is one of the only contemporary plays from the Arab world that includes a sympathetic Israeli character. Event details here.[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span4″][wr_image el_title=”Twilight Country Image” image_file=”http://robertmyers.ipower.com/wp-content/uploads/2014/12/Home_Dore_Inferno.jpg” image_size=”full” link_type=”url” image_type_url=”http://www.trustarts.org/events/festivals/pittsburgh-humanities-festival/” open_in=”current_browser” image_container_style=”no-styling” image_alignment=”inherit” appearing_animation=”0″ disabled_el=”no” ][/wr_image][/wr_column][wr_column span=”span8″][wr_text el_title=”Twilight Country Text” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
Twilight Country March 27th and 28th, 2015
A play by Robert Myers, set in 1948, about two women, one a liberal white southern writer, another an African-American mother of a recently returned World War II veteran from West Virginia. They meet in Asheville, North Carolina in 1948 and help each other overcome recent traumas by reading Dante’s Inferno together. The play was read at the Pittsburgh Humanities Festival, organized by David Shumway of Carnegie-Mellon University, March 27 and March 28, with the renowned actors Kathleen Chalfant and Anita Dashiell-Sparks.[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span7″][wr_text el_title=”Rituals of Signs Text” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
Rituals of Signs and Transformations
Written by Sa’dallah Wannous, translated by Robert Myers and Nada Saab, directed by Sahar Assaf, and produced by Robert Myers and AUB, Rituals of Signs and Transformations received its English-language world premiere at Babel Theatre in Beirut in December 2013. The translation, which was supported by a grant from the MacArthur Foundation, received readings at CUNY’s Martin Segal Theatre Center, Silk Road Rising, and Adelphi University with the New York Theatre Workshop. The play appears in Four Plays from Syria: Sa’dallah Wanous, edited by Marvin Carlson.[/wr_text][/wr_column][wr_column span=”span5″][wr_text][video_lightbox_youtube video_id=”gLtojJNiaEE” width=”640″ height=”480″ anchor=”http://robert-myers.com/wp-content/uploads/2017/07/signsrituals-youtubethumbnail.jpg”][/wr_text][wr_text el_title=”Rituals of signs image text” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ css_suffix=”image-credits” disabled_el=”no” ]Steve Wakeem[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span3″][wr_image el_title=”Drone Pilots Image” image_file=”http://robertmyers.ipower.com/wp-content/uploads/2014/12/Home_Unmanned.jpg” image_size=”full” link_type=”portfolio” single_item=”123″ open_in=”current_browser” image_container_style=”no-styling” image_alignment=”inherit” appearing_animation=”0″ disabled_el=”no” ][/wr_image][/wr_column][wr_column span=”span9″][wr_text el_title=”Drone Pilots” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
BBC Radio 4’s Drone Pilots
In September 2013, BBC Radio 4 broadcast Drone Pilots, Robert Myers’ adaptation of his stage play Unmanned. Unmanned has received staged readings at Silk Road Rising (directed by Sandeep Das), the New Group (directed by Evan Yionoulis), Metta Theatre (with Bruce McIntosh), Blank Theatre (directed by Kirsten Sanderson), and University of Illinois Center for International US Studies.[/wr_text][/wr_column][/wr_row][wr_row width=”boxed” background=”none” solid_color_value=”#FFFFFF” solid_color_color=”#ffffff” gradient_color=”0% #FFFFFF,100% #000000″ gradient_direction=”vertical” repeat=”full” img_repeat=”full” autoplay=”yes” position=”center center” paralax=”no” border_width_value_=”0″ border_style=”solid” border_color=”#000″ div_padding_top=”10″ div_padding_bottom=”10″ div_padding_right=”10″ div_padding_left=”10″ ][wr_column span=”span8″][wr_text el_title=”Mesopotamia Text” text_margin_top=”0″ text_margin_bottom=”0″ enable_dropcap=”no” appearing_animation=”0″ disabled_el=”no” ]
Mesopotamia, A Play about Gertrude Bell, at Yale October 21-22. 2011
Mesopotamia, a play about Gertrude Bell and the British occupation of Iraq, received workshop production at the Whitney Humanities Center at Yale on October 21 and 22, 2011. It was directed by Evan Yionoulis, a director at Yale Repertory Theater and a teacher at Yale Drama
School, and the renowned actor Kathleen Chalfant played Gertrude Bell. The performance was accompanied by an exhibition of photographs and documents in the Whitney Gallery about Gertrude Bell, curated by Robert Myers and Miriam Ayres. Both events were co-produced by the Council on Middle East Studies, the American University of Beirut, the World Performance Project and the Whitney Humanities Center.[/wr_text][/wr_column][wr_column span=”span4″][wr_image el_title=”Mesopotamia Image” image_file=”http://robertmyers.ipower.com/wp-content/uploads/2014/12/Home_Mesopotamia.jpg” image_size=”full” link_type=”portfolio” single_item=”550″ open_in=”current_browser” image_container_style=”no-styling” image_alignment=”inherit” appearing_animation=”0″ disabled_el=”no” ][/wr_image][/wr_column][/wr_row]