Off-Broadway: Atwater: Fixin’ to Die

Theatre Guide, New York Times

“But the playwright Robert Myers submits just enough evidence in this solidly built, well-paced, 75-minute melodrama to make his persuasive dramatic case: Atwater’s ascension as the symbolic occasion for the final burial of idealism in American politics.”

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Beelzebubba

Broadway, New York Magazine

“Atwater still made his mark – not only because he played blues guitar at a 1988 inaugural ball but also because his ruthless, nihilistic approach to campaigning transformed dirty politics into an art form.”

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Lee Atwater Live On Stage!

Sacramento365.com

“This acclaimed one-man play explores the strategems, cynicism and passion brought to politics by Lee Atwater, self-styled master of negative campaigning and the fun-lovin’ Dixie dude equally at home in the world of delta blues and “dirty tricks” political strategists.”

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Authentically Atwater

By Ann Gerhart & Annie Groer, Washington Post

“This one-man show, written by Robert Myers and starring L.A. actor Bruce McIntosh, uses Atwater’s own words: some vicious, some funny, showing a zeal to do anything to win.”

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Red Hot and Politics

By Lloyd Rose, Washington Post

“Myers and McIntosh bring out all the charisma and seductiveness of Atwater’s breezy brilliance. The guy’s vital, he’s fun, he ups the ante in a gathering just by entering the room.

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The Cult of Lee Atwater

By Maureen Dowd, New York Times

“In his one-man play, “Fixin’ to Die: A Visit to the Mind of Lee Atwater,” which has been produced in Los Angeles and Charleston, South Carolina, Robert Myers has the Atwater character going on rat-a-tat (and appealingly) about his dirty tricks.”

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USC Booed For Rejecting Play

By Jeffrey Day, State

“I believe the play is fairly balanced and benign,” said Ed McQuire, dean of the College of Charleston’s arts school. “I also don’t think a university ought to take the position of not producing a play because it is savage.”

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